BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//European Cultural Studies - ECPv6.15.16//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:European Cultural Studies
X-ORIGINAL-URL:https://ecs.princeton.edu
X-WR-CALDESC:Events for European Cultural Studies
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20220101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260422T163000
DTEND;TZID=America/New_York:20260422T183000
DTSTAMP:20260625T232021
CREATED:20260416T171128Z
LAST-MODIFIED:20260416T171302Z
UID:10000236-1776875400-1776882600@ecs.princeton.edu
SUMMARY:The Third Reich of Dreams
DESCRIPTION:Seminar in Interdisciplinary Psychoanalytic Studies presents a roundtable on The Third Reich of Dreams\, Charlotte Beradt’s 1966 study of the dreaming of political fables in Nazi Germany\, recently reissued by Princeton University Press in a new translation by Damion Searls. \nSpeakers: psychologist of religion and dream researcher Kelly Bulkeley\, historian Dagmar Herzog\, political theorist Jan-Werner Müller\, and literary critic Michael Wood. The event will also feature a video by artist Josephine Meckseper. \nPlease join us at 4:30 pm in Betts Auditorium\, with a reception to follow. \nLabyrinth Books will be on site with copies of The Third Reich of Dreams and works by the speakers for sale following the roundtable. \nThis event is free and open to the public.  Co-sponsored by the German Department\, Center for Collaborative History\, Department of Art & Archaeology\, Program in European Cultural Studies\, and Labyrinth Books. Seminar in Interdisciplinary Psychoanalytic Studies (SIPsaS) is supported by a Collaborative Humanities Grant from the Humanities Council at Princeton University. \nSponsorship of an event does not constitute endorsement of the specific views presented.
URL:https://ecs.princeton.edu/event/the-third-reich-of-dreams/
LOCATION:Betts Auditorium\, Architecture Building
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2026/04/3rd-reich-of-dreams.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260418T160000
DTEND;TZID=America/New_York:20260418T183000
DTSTAMP:20260625T232021
CREATED:20260225T133852Z
LAST-MODIFIED:20260225T133947Z
UID:10000232-1776528000-1776537000@ecs.princeton.edu
SUMMARY:Cartoonists: Footsoldiers of Democracy (Princeton French Film Festival Arts & Documentary Pick)
DESCRIPTION:Q&A with filmmaker Stéphanie Valloatto\, moderated by PhD student Reda Tamtam (Department of Politics\, Princeton University) \nIn 2014\, one year before the Charlie Hebdo attacks\, filmmaker Stéphanie Valloatto collaborated with Plantu\, a longtime cartoonist for Le Monde\, to create a documentary about 12 crazy\, amazing\, funny and tragic political cartoonists from all around the world defend democracy at the risk of their lives and have fun with a pencil as only weapon. They are French\, Tunisian\, Russian\, Mexican\, American\, Chinese\, Algerian\, Burkinabese\, Ivorian\, Venezuelan\, Israelian and Palestinian. The film delves into the daily risks these artists face – often putting themselves on the front lines – and the powerful reactions and debates their work sparks. Director: Stéphanie Valloatto. Production: France 3 Cinéma\, STUDIOCANAL. Distribution: Kinology. \nThis event is co-sponsored by European Cultural Studies. \nTo see all the events at the 2026 Princeton French Film Festival\, visit their website. 
URL:https://ecs.princeton.edu/event/cartoonists-footsoldiers-of-democracy-princeton-french-film-festival-arts-documentary-pick/
LOCATION:Theater Room (2nd floor)\, Arts Council of Princeton
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2026/02/Cartoonists2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260417T120000
DTEND;TZID=America/New_York:20260417T133000
DTSTAMP:20260625T232021
CREATED:20260318T172159Z
LAST-MODIFIED:20260318T172327Z
UID:10000235-1776427200-1776432600@ecs.princeton.edu
SUMMARY:When the War was Over (1986): Journalism into Film (Princeton French Film Festival)
DESCRIPTION:Led by award-winning journalist Elizabeth Becker\, author of When the War was Over: Cambodia and the Khmer Rouge Revolution (1986)\, followed by a Q&A. Lunch will be served to attendees.  This is an ECS co-sponsored event. \nElizabeth Becker is an award-winning journalist and historian\, best known for her groundbreaking reporting on Cambodia and the Vietnam War. A former correspondent for The Washington Post and reporter and editor at The New York Times\, Becker is the author of several influential books\, including When the War Was Over: Cambodia and the Khmer Rouge Revolution (1986)\, America’s Vietnam War: A Narrative History\, and You Don’t Belong Here: How Three Women Rewrote the Story of War. This event marks the 40th anniversary of When the War Was Over\, widely regarded as a definitive account of the Khmer Rouge era. Becker was one of the few Western journalists granted access to Cambodia in 1978\, when she interviewed Pol Pot alongside Richard Dudman and Malcolm Caldwell\, who was killed during the visit. Though she did not witness genocide directly\, Becker saw Phnom Penh emptied and staged for propaganda. Two days after her departure\, Vietnam invaded Cambodia\, and Pol Pot fled into the jungle. \nVisit the Princeton French Film Festival webpage for the 2026 schedule.
URL:https://ecs.princeton.edu/event/when-the-war-was-over-1986-journalism-into-film-princeton-french-film-festival/
LOCATION:161 East Pyne
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2026/03/Elizabeth-Becker.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260406T163000
DTEND;TZID=America/New_York:20260406T180000
DTSTAMP:20260625T232021
CREATED:20260213T182354Z
LAST-MODIFIED:20260323T154931Z
UID:10000231-1775493000-1775498400@ecs.princeton.edu
SUMMARY:European Studies Sophomore Open House
DESCRIPTION:Join members of the European Studies program community for snacks and trivia on April 6 and learn all about the minor\, related courses\, events\, and resources for the study of Europe at Princeton. \nBridging insights from history\, politics\, culture\, and the arts\, the minor in European Studies (EUS) invites undergraduate students from across disciplines to explore ideas that have shaped Europe’s past and present. It is offered jointly by the Humanities Council’s Program in European Cultural Studies (ECS) and PIIRS’ Program in Contemporary European Politics and Society. (EPS)\, \nEuropean Studies has two central aims: to deepen students’ understanding of European civilization\, and to strengthen their command of cultural interpretation through interdisciplinary investigation. Committed to encouraging our students’ engagement at an international level\, the EUS minor also endeavors to situate the study of Europe in broader global contexts. \n 
URL:https://ecs.princeton.edu/event/european-studies-sophomore-open-house/
LOCATION:209 Scheide Caldwell House
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2026/02/Europe-scarf-rotated-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260402T120000
DTEND;TZID=America/New_York:20260402T133000
DTSTAMP:20260625T232021
CREATED:20260318T171718Z
LAST-MODIFIED:20260318T172243Z
UID:10000234-1775131200-1775136600@ecs.princeton.edu
SUMMARY:Women in French Cinema (Princeton French Film Festival)
DESCRIPTION:Led by award-winning journalist Elizabeth Becker\, author of When the War was Over: Cambodia and the Khmer Rouge Revolution (1986)\, followed by a Q&A. Lunch will be served to attendees.  This is an ECS co-sponsored event. \n  \nNouvelles femmes by film historian Ericka Knudson is an in‐depth exploration and celebration of these female actors\, writers\, directors\, designers\, and filmmakers who made the French New Wave an international sensation. The book examines their innovations\, their creativity\, and their enduring influence on film\, art\, and fashion. Included here are actresses such as Anna Karina\, Jeanne Moreau\, Jean Seberg\, Brigitte Bardot\, filmmaker Agnès Varda\, and more\, along with films that are now acknowledged as classics of film history\, including Breathless\, Jules et Jim\, Bande à part\, Hiroshima mon amour\, Alphaville\, and Lola. \nVisit the Princeton French Film Festival webpage for the 2026 schedule. \n  \n 
URL:https://ecs.princeton.edu/event/women-in-french-cinema-princeton-french-film-festival/
LOCATION:012 East Pyne
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2026/03/Ericka_Knudson.jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260317T193000
DTEND;TZID=America/New_York:20260317T220000
DTSTAMP:20260625T232021
CREATED:20260311T160659Z
LAST-MODIFIED:20260316T183812Z
UID:10000233-1773775800-1773784800@ecs.princeton.edu
SUMMARY:Film Forum - Riefenstahl
DESCRIPTION:Join the University Center for Human Values Film Forum and European Cultural Studies for a film about fascism\,  Riefenstahl.  Professor Jan-Werner Müller\, who is teaching ECS 338 Fascism: Politics and Culture this semester\, will moderate a faculty discussion following the film presentation. \nLeni Riefenstahl was Hitler’s favorite filmmaker. He personally asked her to make a documentary of the 1934 Nuremberg Rally which\, more than any other movie ever made\, expresses the fascist\, totalitarian ethic on film in a captivating and totally immersive way. This was Triumph des Willens\, or Triumph of the Will. It has provided stock shots of Hitler and his adoring audience of Nazi supporters for hundreds of film-makers ever since. Even if you have never seen Triumph of the Will in its entirety\, you will have seen clips from it over and over again in television documentaries about the Third Reich. Riefenstahl’s images of Hitler and the Nazis have become enduring emblems of the regime.
URL:https://ecs.princeton.edu/event/film-forum-riefenstahl/
LOCATION:Rocky Theater
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2026/03/Riefenstahl.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260225T170000
DTEND;TZID=America/New_York:20260225T190000
DTSTAMP:20260625T232021
CREATED:20260205T215003Z
LAST-MODIFIED:20260206T205349Z
UID:10000230-1772038800-1772046000@ecs.princeton.edu
SUMMARY:Artist Talk: Richard Mosse
DESCRIPTION:Irish photographer and video artist Richard Mosse will discuss and screen selections from his recent project Broken Specter (2022)\, which centers on the devastating effect of deforestation in the Amazon. \nMosse is known for investigating the documentary status of photography. His work has spanned a range of topics\, from the extractive technologies responsible for environmental destruction to the use of heat-sensing photographic apparatuses for the purpose of surveillance. In his practice\, Mosse routinely probes the relationship between image\, evidence\, and empathy. \nThis event is free and open to the public. It has been organized by PhD Candidates Florian Endres and Maggie Hire and made possible by the Princeton Humanities Initiative’s focus on “Media & Meaning: Humanities in the World.” Additional support has been provided by: European Cultural Studies (ECS)\, Media+Modernity\, Brazil LAB\, and the Department of Art & Archaeology. Thanks also to the Princeton University Art Museum. \nBio: \nRichard Mosse (b. 1980\, Ireland) employs the language of documentary photography to draw attention to overlooked yet urgent stories. \nHe has used various imaging technologies to document environmental devastation in remote regions of the Amazon; the mass migration of refugees across Europe\, the Middle East and North Africa; bitter conflict over rare earth minerals in eastern Democratic Republic of Congo; the US military’s occupation of Saddam Hussein’s palace complexes in Iraq; illegal immigration along the US-Mexican border; and the missing persons crisis in post-war Balkan nations\, among other subjects. \nMosse’s work has been the subject of recent solo exhibitions at the San Francisco Museum of Modern Art\, the National Gallery of Art in Washington D.C.\, Barbican Art Gallery in London\, and the National Gallery of Victoria in Melbourne. Recent survey exhibitions were held at Kunsthalle Bremen (2022) and MAST Foundation\, Bologna (2021). Mosse was the recipient of the Prix Pictet 2017\, the winner of the 2014 Deutsche Börse Photography Prize\, and represented Ireland at the Venice Biennale in 2013. His publications include The Castle (MACK\, 2018)\, Incoming (MACK\, 2017)\, and Infra (Aperture Foundation\, 2012). \nTo read Richard Mosse’s full biography\, please visit Jack Shainman Gallery’s website. \n 
URL:https://ecs.princeton.edu/event/artist-talk-richard-mosse/
LOCATION:The Grand Hall\, Princeton University Art Museum
ATTACH;FMTTYPE=image/png:https://ecs.princeton.edu/wp-content/uploads/sites/6/2026/02/Moss-photo-full.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260219T163000
DTEND;TZID=America/New_York:20260219T180000
DTSTAMP:20260625T232021
CREATED:20251002T180257Z
LAST-MODIFIED:20260123T151358Z
UID:10000217-1771518600-1771524000@ecs.princeton.edu
SUMMARY:ECS Faber Lecture - Provincializing Europe\, 25 Years On
DESCRIPTION:Professor Dipesh Chakrabarty from the University of Chicago will be delivering the 2025-2026 Annual ECS Eberhard L. Faber 1915 Memorial Fund Lecture. \nIn this lecture\, Dipesh Chakrabarty takes a retrospective look at the origins and reception of his book Provincializing Europe: Postcolonial Thought and Historical Difference (2000) to discuss why and how an intellectual project such as “provincializing Europe” emerged at the turn of the century from the insurgent historiography of Subaltern Studies\, a series of publications on colonial South Asia (1982-2005) inspired and led by Ranajit Guha (1923-2023). What was the “Europe” the book sought to provincialize? What did it mean to “provincialize” this Europe? What was the significance of this exercise and what might be the relevance of such a project today? \nReception to Follow \nThis event is free and open to the public.  Your registration is requested here. \nDipesh Chakrabarty is the Lawrence A. Kimpton Distinguished Service Professor in the Departments of History and South Asian Languages and Civilizations at the University of Chicago. He is one of the founders of Subaltern Studies and Postcolonial Studies\, and a consulting editor for Critical Inquiry. He has served on the editorial boards of the American Historical Review and Public Culture. A member of the American Academy of Arts and Sciences\, he is also an honorary fellow of the Australian Academy of the Humanities\, and a Corresponding Fellow of the British Academy. He holds honorary doctorates from the University of London\, the University of Antwerp\, Belgium\, and the École Normale Supérieure in France. His honors and awards include a Distinguished Alumnus award from the Indian Institute of Management\, the Toynbee Prize for his contributions to global history\, the Tagore Memorial Prize\, given by the Government of West Bengal\, India\, and the European Essay Prize for the French translation of his book The Climate of History in a Planetary Age (2021; in French 2023). His most recent book is: One Planet\, Many Worlds: The Climate Parallax (Waltham\, Mass.: University of Brandeis Press\, 2023). \nTo read Professor Chakrabarty’s full biography\, please visit the University of Chicago website.  \nFunding provided by the Eberhard L. Faber 1915 Memorial Fund in the Humanities Council. \n  \n 
URL:https://ecs.princeton.edu/event/ecs-faber-lecture-dipesh-chakrabarty-university-of-chicago/
LOCATION:Betts Auditorium\, Betts Auditorium\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/dipesh-chakrabarty-11-x-9-.jpg
GEO:40.3478419;-74.6562765
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Betts Auditorium Betts Auditorium Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=Betts Auditorium:geo:-74.6562765,40.3478419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251204T190000
DTEND;TZID=America/New_York:20251204T213000
DTSTAMP:20260625T232021
CREATED:20251008T194902Z
LAST-MODIFIED:20251009T144535Z
UID:10000226-1764874800-1764883800@ecs.princeton.edu
SUMMARY:Imagine Otherwise: Fantasy\, Fairytale\, Fiction (Slavic Film Series) - Mermaid
DESCRIPTION:Mermaid (dir. Anna Melikyan\, 2007\, 115 min) \nLoosely based on The Little Mermaid\, this film tells the story of Alisa\, a young girl who has discovered that she has a magical power to grant any wish she desires. After wishing to move to Moscow\, her seaside home burns down\, forcing her mother to obey Alisa’s desires. In the city\, she falls in love with Sasha\, a conman who sells people property on the Moon\, Venus\, and Mars. The couple embark on a fairytale-like three-day adventure\, with Sasha repeating his erratic behavior every day\, introducing Alisa to the chaotic monotony of capitalist Russia. \nMermaid represents an attempt to interpretively stabilize an uninterpretable post-Soviet Russia. However\, this is not a fairytale with a happy ending. If the earlier films in this series aim include a utopian desire for reimagination and reinvention\, it is difficult to find such positive readings in Melikyan’s lively\, exciting\, but nonetheless incredibly dark vision of capitalism heading toward disaster. \n__________________________________________ \nThe Soviet project was characterized by a utopian drive that stretched far beyond the material means at their disposal. Such a desire\, uninhibited by ontological strictures\, finds some of its clearest manifestations in film\, a medium that Siegfried Kracauer once called “the daydream of society.” Consequently\, this film series explores the way in which the social imaginary developed in Soviet (and Post-Soviet) cinema\, particularly through the lens of fantasy\, fairytale and science fiction. The aim of the series\, however\, is not to expose the incommensurable distance between a fallacious imagination and empirical reality\, but rather to focus on the discourses of the possible – and not the factual – which have made cinema a privileged site for imagining how our world could be radically otherwise. \nThe series has been organized into four sub-series which allow us to explore different facets of this social imaginary. The first three films in the series (Aelita\, Moscow-Cassiopeia\, and First on the Moon) probe the Soviet Union’s cosmic imagination. Long before the Soviet Space Program\, Nikolai Fyodorov’s biocosmism had captured the imagination of many radical thinkers. Aelita\, one of the first full-length films depicting space travel\, gave concrete imagery to these thinkers’ theories with Isaac Rabinovich and Victor Simov’s constructivist set designs of Martian society. The following films in this sub-series show the diachronic development of the sci-fi aesthetic\, through the years following the Space Race (Moscow-Cassiopeia) and into the retrofitting historicization of the post-soviet perspective (First on the Moon). \nThe second sub-series (Amphibian Man and Professor Dowell’s Testament) focuses on the concept of the New Human in the new Soviet society. These films construct a laboratory – inhabited by animal-human hybrids and reanimated human heads – to think past the human and explore the potential consequences of such a posthumanist leap. \nThe third sub-series (New Gulliver\, Alice in Wonderland\, and Tale of Tales) centers on animation as another method of thinking beyond the real. This sub-series also articulates temporal and geo-spatial adaptations as two distinct ways of creating the new – while New Gulliver and Alice in Wonderland both represent the Soviet Union’s attempt to translate Western tales to Soviet contexts\, Tale of Tales is an attempt to treat the Soviet past as material for fairytale narrativization. \nLand of Oz and Mermaid\, the films which constitute the last sub-series\, similarly narrativize the real world through the epistemological framework of the fairytale. Here\, however\, the ideological explanatory functions of the Soviet Union have already faded away\, and one must cling to the fairytale not to tell stories about the past\, but to interpret the chaos of the present post-Soviet space. Events: \nOctober 9th\nAmphibian Man (dir. Vladimir Chebotaryov\,1962\, 82 min) \nOctober 23rd\nProfessor Dowell’s Testament (dir. Leonid Menaker\, 1984\, 91 min) \nOctober 30th\nNew Gulliver (dir. Aleksandr Ptushko\, 1935\, 75 min) \nNovember 6th\nAlice in Wonderland (dir. Efrem Pruzhanskiy\, 1981\, 31 min) & Tale of Tales (dir. Yuri Norstein\, 1979\, 29 min) \nNovember 13th\nLand of Oz (dir. Vasily Sigarev\, 2015\, 100 min) \nDecember 4th\nMermaid (dir. Anna Melikyan\, 2007\, 115 min)
URL:https://ecs.princeton.edu/event/imagine-otherwise-fantasy-fairytale-fiction-slavic-film-series-mermaid-2/
LOCATION:301 Julis Romo Rabinowitz
ATTACH;FMTTYPE=image/png:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/mermaid.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251120T080000
DTEND;TZID=America/New_York:20251121T170000
DTSTAMP:20260625T232021
CREATED:20251103T170831Z
LAST-MODIFIED:20251103T170852Z
UID:10000229-1763625600-1763744400@ecs.princeton.edu
SUMMARY:Graduate Student Workshop: “Imaginations of the Womb – Uterine Imaginaries”
DESCRIPTION:This two-day event fosters graduate-led research and discussions in the humanities on the ethical\, symbolic\, and cultural meanings of the womb across traditions and epochs. The womb has long been a site where competing values around autonomy\, gender\, sexuality\, and power converge. Participants will explore how womb-related knowledge—spanning literature\, philosophy\, the history of medicine\, religion\, art\, music\, and law—shapes understandings of personhood\, agency\, and moral authority. At its core\, the workshop undertakes a sustained inquiry into how human societies have imagined reproduction and human difference. The workshop features a variety of formats\, including graduate student research presentations\, roundtables\, and a keynote lecture by Professor Terri Kapsalis (School of the Art Institute of Chicago). \nTerri Kapsalis is the author of Jane Addams’ Travel Medicine Kit (commissioned by the Hull-House Museum\, a collaboration with forensic scientists\, installed in Jane Addams’ bedroom as an alternative label alongside her kit for a “slow museum” experience)\, Hysterical Alphabet (WhiteWalls\, based on primary medical writings on hysteria from ancient Egypt to the present and written like a Victorian children’s alphabet book\, also a multi-media performance with film and live soundtrack performed with John Corbett and Danny Thompson throughout the U.S.)\, and Public Privates: Performing Gynecology from Both Ends of the Speculum (Duke University Press – the only book reviewed in the New England Journal of Medicine\, The Village Voice\, and a medical fetishist site The Amateur Gynecologist.) \nThis workshop is open to the public and to all Princeton graduate and undergraduate students regardless of identity. Contributions to and/or sponsorship of any event does not constitute departmental or institutional endorsement of the specific program\, speakers or views presented. \nNovember 20–21\, 2025\, Thursday – Friday – Program \nNovember 20: 8:30 am – 4:00 pm\, Rocky/Mathey Theater \nNovember 20: 4:30 – 6:00 pm\, 46 McCosh Hall \nNovember 21: 8:30 am – 12:00 pm\, 103 Chancellor Green \nCo-sponsored by: Center for Culture\, Society\, and Religion; Committee on Renaissance and Early Modern Studies; Department of Anthropology; Department of English; Department of French and Italian; Department of German; Department of Music; Department of Religion; Humanities Council; Program in European Cultural Studies; Program in Medieval Studies; University Center for Human Values \nOrganized by Marie-Louise James and Erica Passoni (German Department\, Princeton University); Keynote Speaker: Prof. Terri Kapsalis (School of the Art Institute of Chicago) \n 
URL:https://ecs.princeton.edu/event/graduate-student-workshop-imaginations-of-the-womb-uterine-imaginaries/
ATTACH;FMTTYPE=image/png:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/11/EventImage_ImaginatiosOfTheWomb.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251118T193000
DTEND;TZID=America/New_York:20251118T210000
DTSTAMP:20260625T232021
CREATED:20251009T191247Z
LAST-MODIFIED:20251029T191457Z
UID:10000227-1763494200-1763499600@ecs.princeton.edu
SUMMARY:From Paris to Romania: Music of George Enescu
DESCRIPTION:Violinist Kevin Matheson and pianist Tim Fuller will present music by the Romanian composer and virtuoso George Enescu at Taplin Auditorium on the Princeton University campus. \nTheir program begins with the Sonata #2\, composed in Paris\, a lyrical work in cyclical form that has been described as “one of the most important works in the whole literature of the sonata.” From Paris\, the program moves to Romania with the Sonata #3 “in Romanian Folk Character\,” which uses extravagant bowings\, slides\, and piano colorations to evoke the expressive world of Romanian folk musicians. \nViolinist Kevin Matheson was awarded first prize in the Charleston International Music Competition.  He has performed as soloist with Orchestra Manhattan\, conducted by Karim Said at Carnegie Weil Recital Hall\, and with the Tahoe Philharmonic. He has recorded with the Bohuslav Martinů Philharmonic Orchestra in the Czech Republic. \nAfter highly-praised concerts in the U.S. and the Middle East\, Tim Fuller was forced by tendinitis to abandon a performing career\, but thirty years later he re-taught himself and returned to the concert stage. His interpretations of Enescu are informed by a background in ethnomusicology and experience in Romanian dance. \nThe event is presented by the Princeton University Humanities Council and the Department of Music\, with co-sponsorship from the Department of Slavic Languages and Literatures\, the Program in Russian\, East European and Eurasian Studies\, and the Program in European Cultural Studies. \nAdmission/Tickets: Free and open to the public. No tickets or registration required. \nVenue: Directions\, Parking\, Venue \nAccessibility: This venue is accessible via elevator; learn more. Guests in need of access accommodations are invited to contact the Humanities Council at humaniti@princeton.edu at least one week prior to the event date.
URL:https://ecs.princeton.edu/event/from-paris-to-romania-music-of-george-enescu/
LOCATION:Taplin Auditorium\, Fine Hall
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/Enescu.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251117T080000
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260625T232021
CREATED:20251008T144546Z
LAST-MODIFIED:20251009T191515Z
UID:10000220-1763366400-1763830800@ecs.princeton.edu
SUMMARY:Essay Week
DESCRIPTION:This week-long celebration of the essay genre brings together scholars and practitioners of the form for a range of lectures\, conversations\, and experimental activities. To celebrate the release of The Cambridge History of the American Essay\, this series of events pays tribute to the richness and variety of the essayistic spirit across centuries\, continents\, and cultures. \nFind the latest information on the Department of French and Italian website. \nEssay Week is presented by the Department of French and Italian with support from the Eberhard L. Faber 1915 Memorial Fund in the Humanities Council and is co-sponsored by the Department of German\, IHUM\, the Program in Journalism\, the Princeton Public Library\, the Department of Comparative Literature\, European Cultural Studies\, and the Committee on Renaissance and Early Modern Studies. \nOrganizer: Christy Wampole\, Princeton University \nParticipants:\n\nLucy Alford\, Wake Forest University\nNora Alter\, Temple University\nTed Anton\, De Paul University\nBrigitte Bailey\, University of New Hampshire\nAndrea Capra\, New York University\nShawn Anthony Christian\, Florida International University\nVinson Cunningham\, The New Yorker\nJeff Dolven\, Princeton University\nWilliam Dow\, The American University of Paris\nJeffrey Dudas\, University of Connecticut\nAnne Finger\, writer\nFlorian Fuchs\, Princeton University\nDenise Gigante\, Stanford University\nEmily Greenhouse\, The New York Review of Books\nTom Huhn\, School of Visual Arts\, NYC\nCarolina Iribbaren\, Princeton University\nLawrence Kritzman\, Dartmouth College\nJohn Michael\, University of Rochester\nWalton Muyumba\, Indiana University\, Bloomington\nKinohi Nishikawa\, Princeton University\nDavid Sloane\, University of New Haven\nJenny Spinner\, Saint Joseph’s University\nJulien Stout\, Princeton University\nHertha Sweet-Wong\, University of California\, Berkeley\nEleni Theodoropoulos\, Johns Hopkins\nSalamishah Tillet\, Rutgers University-Newark
URL:https://ecs.princeton.edu/event/essay-week/
LOCATION:Multiple Venues
ATTACH;FMTTYPE=image/png:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/cat-essay-week-2bf.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251113T190000
DTEND;TZID=America/New_York:20251113T213000
DTSTAMP:20260625T232021
CREATED:20251008T194644Z
LAST-MODIFIED:20251008T194644Z
UID:10000225-1763060400-1763069400@ecs.princeton.edu
SUMMARY:Imagine Otherwise: Fantasy\, Fairytale\, Fiction (Slavic Film Series) - Land of Oz
DESCRIPTION:Land of Oz (dir. Vasily Sigarev\, 2015\, 100 min) \nOn December 31st\, Lena searches for Torforezy Street somewhere deep in Ekaterinburg\, where she has just gotten a job as a cashier at a kiosk. However\, her journey is repeatedly waylaid\, first by a car accident\, and then by several men who loosely resemble the Tinman\, the Scarecrow and the Cowardly Lion from The Wonderful Wizard of Oz. With an extremely innovative approach to language\, Sigarev shows that what has flooded the post-ideological space of 2000s Russia is the obscenity – Russian mat. Obscene language provides a unifying framework through which the post-Soviet subjects can understand one another and is much more effective than any fairy-tale ideology at providing a common language. Following in the footsteps of Gogol\, Saltykov-Shchedrin\, and Chekov\, Vasilii Sigarev stakes a claim as the ultimate satirist of the post-Soviet space. \n_______________________ \nThe Soviet project was characterized by a utopian drive that stretched far beyond the material means at their disposal. Such a desire\, uninhibited by ontological strictures\, finds some of its clearest manifestations in film\, a medium that Siegfried Kracauer once called “the daydream of society.” Consequently\, this film series explores the way in which the social imaginary developed in Soviet (and Post-Soviet) cinema\, particularly through the lens of fantasy\, fairytale and science fiction. The aim of the series\, however\, is not to expose the incommensurable distance between a fallacious imagination and empirical reality\, but rather to focus on the discourses of the possible – and not the factual – which have made cinema a privileged site for imagining how our world could be radically otherwise. \nThe series has been organized into four sub-series which allow us to explore different facets of this social imaginary. The first three films in the series (Aelita\, Moscow-Cassiopeia\, and First on the Moon) probe the Soviet Union’s cosmic imagination. Long before the Soviet Space Program\, Nikolai Fyodorov’s biocosmism had captured the imagination of many radical thinkers. Aelita\, one of the first full-length films depicting space travel\, gave concrete imagery to these thinkers’ theories with Isaac Rabinovich and Victor Simov’s constructivist set designs of Martian society. The following films in this sub-series show the diachronic development of the sci-fi aesthetic\, through the years following the Space Race (Moscow-Cassiopeia) and into the retrofitting historicization of the post-soviet perspective (First on the Moon). \nThe second sub-series (Amphibian Man and Professor Dowell’s Testament) focuses on the concept of the New Human in the new Soviet society. These films construct a laboratory – inhabited by animal-human hybrids and reanimated human heads – to think past the human and explore the potential consequences of such a posthumanist leap. \nThe third sub-series (New Gulliver\, Alice in Wonderland\, and Tale of Tales) centers on animation as another method of thinking beyond the real. This sub-series also articulates temporal and geo-spatial adaptations as two distinct ways of creating the new – while New Gulliver and Alice in Wonderland both represent the Soviet Union’s attempt to translate Western tales to Soviet contexts\, Tale of Tales is an attempt to treat the Soviet past as material for fairytale narrativization. \nLand of Oz and Mermaid\, the films which constitute the last sub-series\, similarly narrativize the real world through the epistemological framework of the fairytale. Here\, however\, the ideological explanatory functions of the Soviet Union have already faded away\, and one must cling to the fairytale not to tell stories about the past\, but to interpret the chaos of the present post-Soviet space. Events: \nOctober 9th\nAmphibian Man (dir. Vladimir Chebotaryov\,1962\, 82 min) \nOctober 23rd\nProfessor Dowell’s Testament (dir. Leonid Menaker\, 1984\, 91 min) \nOctober 30th\nNew Gulliver (dir. Aleksandr Ptushko\, 1935\, 75 min) \nNovember 6th\nAlice in Wonderland (dir. Efrem Pruzhanskiy\, 1981\, 31 min) & Tale of Tales (dir. Yuri Norstein\, 1979\, 29 min) \nNovember 13th\nLand of Oz (dir. Vasily Sigarev\, 2015\, 100 min) \nDecember 4th\nMermaid (dir. Anna Melikyan\, 2007\, 115 min)
URL:https://ecs.princeton.edu/event/imagine-otherwise-fantasy-fairytale-fiction-slavic-film-series-land-of-oz/
LOCATION:301 Julis Romo Rabinowitz
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/color.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251106T190000
DTEND;TZID=America/New_York:20251106T213000
DTSTAMP:20260625T232021
CREATED:20251008T194425Z
LAST-MODIFIED:20251008T195531Z
UID:10000224-1762455600-1762464600@ecs.princeton.edu
SUMMARY:Imagine Otherwise: Fantasy\, Fairytale\, Fiction (Slavic Film Series) – Alice in Wonderland & Tale of Tales
DESCRIPTION:Alice in Wonderland (dir. Efrem Pruzhanskiy\, 1981\, 31 min) & \nTale of Tales (dir. Yuri Norstein\, 1979\, 29 min) \nThese two short films both reflect the distinct and experimental animation practices at work in the late Soviet Union. Alice and Wonderland was produced by the Ukrainian animation and film studio Kyivnaukfilm\, well known for its surreal and experimental approach to animation. While the character designs were influenced by Sir John Tenniel’s original illustrations\, the animation adds its own Soviet twist. Tale of Tales\, on the other hand\, takes the Soviet past itself as the material for self-mythologization\, with a script from Lyudmila Petrushevskaia narrativizing Soviet history through the framework of the fairytale. \n_________________________________ \nThe Soviet project was characterized by a utopian drive that stretched far beyond the material means at their disposal. Such a desire\, uninhibited by ontological strictures\, finds some of its clearest manifestations in film\, a medium that Siegfried Kracauer once called “the daydream of society.” Consequently\, this film series explores the way in which the social imaginary developed in Soviet (and Post-Soviet) cinema\, particularly through the lens of fantasy\, fairytale and science fiction. The aim of the series\, however\, is not to expose the incommensurable distance between a fallacious imagination and empirical reality\, but rather to focus on the discourses of the possible – and not the factual – which have made cinema a privileged site for imagining how our world could be radically otherwise. \nThe series has been organized into four sub-series which allow us to explore different facets of this social imaginary. The first three films in the series (Aelita\, Moscow-Cassiopeia\, and First on the Moon) probe the Soviet Union’s cosmic imagination. Long before the Soviet Space Program\, Nikolai Fyodorov’s biocosmism had captured the imagination of many radical thinkers. Aelita\, one of the first full-length films depicting space travel\, gave concrete imagery to these thinkers’ theories with Isaac Rabinovich and Victor Simov’s constructivist set designs of Martian society. The following films in this sub-series show the diachronic development of the sci-fi aesthetic\, through the years following the Space Race (Moscow-Cassiopeia) and into the retrofitting historicization of the post-soviet perspective (First on the Moon). \nThe second sub-series (Amphibian Man and Professor Dowell’s Testament) focuses on the concept of the New Human in the new Soviet society. These films construct a laboratory – inhabited by animal-human hybrids and reanimated human heads – to think past the human and explore the potential consequences of such a posthumanist leap. \nThe third sub-series (New Gulliver\, Alice in Wonderland\, and Tale of Tales) centers on animation as another method of thinking beyond the real. This sub-series also articulates temporal and geo-spatial adaptations as two distinct ways of creating the new – while New Gulliver and Alice in Wonderland both represent the Soviet Union’s attempt to translate Western tales to Soviet contexts\, Tale of Tales is an attempt to treat the Soviet past as material for fairytale narrativization. \nLand of Oz and Mermaid\, the films which constitute the last sub-series\, similarly narrativize the real world through the epistemological framework of the fairytale. Here\, however\, the ideological explanatory functions of the Soviet Union have already faded away\, and one must cling to the fairytale not to tell stories about the past\, but to interpret the chaos of the present post-Soviet space. Events: \nOctober 9th\nAmphibian Man (dir. Vladimir Chebotaryov\,1962\, 82 min) \nOctober 23rd\nProfessor Dowell’s Testament (dir. Leonid Menaker\, 1984\, 91 min) \nOctober 30th\nNew Gulliver (dir. Aleksandr Ptushko\, 1935\, 75 min) \nNovember 6th\nAlice in Wonderland (dir. Efrem Pruzhanskiy\, 1981\, 31 min) & Tale of Tales (dir. Yuri Norstein\, 1979\, 29 min) \nNovember 13th\nLand of Oz (dir. Vasily Sigarev\, 2015\, 100 min) \nDecember 4th\nMermaid (dir. Anna Melikyan\, 2007\, 115 min) \n 
URL:https://ecs.princeton.edu/event/slavic-fall-film-series-imagine-otherwise-fantasy-fairytale-fiction-alice-in-wonderland-tale-of-tales/
LOCATION:301 Julis Romo Rabinowitz
ATTACH;FMTTYPE=image/png:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/alice.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T190000
DTEND;TZID=America/New_York:20251030T213000
DTSTAMP:20260625T232021
CREATED:20251008T194223Z
LAST-MODIFIED:20251008T194223Z
UID:10000223-1761850800-1761859800@ecs.princeton.edu
SUMMARY:Imagine Otherwise: Fantasy\, Fairytale\, Fiction (Slavic Film Series) - New Gulliver
DESCRIPTION:New Gulliver (dir. Aleksandr Ptushko\, 1935\, 75 min) \nOne of the first feature films to extensively utilize stop-motion puppet animation\, New Gulliver is a Communist re-telling of Jonathan Swift. Petya\, a pioneer from Artek\, falls asleep while reading Gulliver’s Travels and finds himself in a dreamscape where Swift’s Lilliputia has been rendered as a capitalist-military state. Petya becomes involved in a worker’s strike\, where his notebook from the Soviet Union informs the laborers of Lilliputia of the international solidarity of the proletariat. \nThe film\, which was highly admired by Charlie Chaplin and additionally the founders of Czech animation\, represents a highly productive Soviet translation of the Western fantasy genre. What is aimed for in the translation is not a one-to-one mapping between different cultural contexts\, but a poetic inscription of difference at the moment of transposition. \n_________________________________ \nThe Soviet project was characterized by a utopian drive that stretched far beyond the material means at their disposal. Such a desire\, uninhibited by ontological strictures\, finds some of its clearest manifestations in film\, a medium that Siegfried Kracauer once called “the daydream of society.” Consequently\, this film series explores the way in which the social imaginary developed in Soviet (and Post-Soviet) cinema\, particularly through the lens of fantasy\, fairytale and science fiction. The aim of the series\, however\, is not to expose the incommensurable distance between a fallacious imagination and empirical reality\, but rather to focus on the discourses of the possible – and not the factual – which have made cinema a privileged site for imagining how our world could be radically otherwise. \nThe series has been organized into four sub-series which allow us to explore different facets of this social imaginary. The first three films in the series (Aelita\, Moscow-Cassiopeia\, and First on the Moon) probe the Soviet Union’s cosmic imagination. Long before the Soviet Space Program\, Nikolai Fyodorov’s biocosmism had captured the imagination of many radical thinkers. Aelita\, one of the first full-length films depicting space travel\, gave concrete imagery to these thinkers’ theories with Isaac Rabinovich and Victor Simov’s constructivist set designs of Martian society. The following films in this sub-series show the diachronic development of the sci-fi aesthetic\, through the years following the Space Race (Moscow-Cassiopeia) and into the retrofitting historicization of the post-soviet perspective (First on the Moon). \nThe second sub-series (Amphibian Man and Professor Dowell’s Testament) focuses on the concept of the New Human in the new Soviet society. These films construct a laboratory – inhabited by animal-human hybrids and reanimated human heads – to think past the human and explore the potential consequences of such a posthumanist leap. \nThe third sub-series (New Gulliver\, Alice in Wonderland\, and Tale of Tales) centers on animation as another method of thinking beyond the real. This sub-series also articulates temporal and geo-spatial adaptations as two distinct ways of creating the new – while New Gulliver and Alice in Wonderland both represent the Soviet Union’s attempt to translate Western tales to Soviet contexts\, Tale of Tales is an attempt to treat the Soviet past as material for fairytale narrativization. \nLand of Oz and Mermaid\, the films which constitute the last sub-series\, similarly narrativize the real world through the epistemological framework of the fairytale. Here\, however\, the ideological explanatory functions of the Soviet Union have already faded away\, and one must cling to the fairytale not to tell stories about the past\, but to interpret the chaos of the present post-Soviet space. Events: \nOctober 9th\nAmphibian Man (dir. Vladimir Chebotaryov\,1962\, 82 min) \nOctober 23rd\nProfessor Dowell’s Testament (dir. Leonid Menaker\, 1984\, 91 min) \nOctober 30th\nNew Gulliver (dir. Aleksandr Ptushko\, 1935\, 75 min) \nNovember 6th\nAlice in Wonderland (dir. Efrem Pruzhanskiy\, 1981\, 31 min) & Tale of Tales (dir. Yuri Norstein\, 1979\, 29 min) \nNovember 13th\nLand of Oz (dir. Vasily Sigarev\, 2015\, 100 min) \nDecember 4th\nMermaid (dir. Anna Melikyan\, 2007\, 115 min) \n 
URL:https://ecs.princeton.edu/event/imagine-otherwise-fantasy-fairytale-fiction-slavic-film-series-new-gulliver/
LOCATION:301 Julis Romo Rabinowitz
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/gulliver.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T163000
DTEND;TZID=America/New_York:20251030T180000
DTSTAMP:20260625T232021
CREATED:20251008T143035Z
LAST-MODIFIED:20251008T143114Z
UID:10000219-1761841800-1761847200@ecs.princeton.edu
SUMMARY:Vanishing Vienna: Modernism\, Philosemitism\, and Jews in a Postwar City
DESCRIPTION:The Program in Judaic Studies\, the Center for Collaborative History\, and the Program in European Cultural Studies invite you to join us for this talk by Frances Tanzer on Thursday\, October 30. \nFrances Tanzer will discuss her new book\, Vanishing Vienna: Modernism\, Philosemitism\, and Jews in a Postwar City (University of Pennsylvania Press)\, which traces the reconstruction of Viennese culture from the 1938 German Anschluss through Austrian (re)independence in 1955. The book reveals continuity in Vienna’s cultural history across this period: a framework for interpreting Viennese culture that has relied on antisemitism\, philosemitism\, and a related discourse of Jewish presence and absence. The reality of Jewish absence in postwar Vienna produced conceptual and practical challenges. Tanzer argues that\, in response to these challenges\, philosemitism became a surprising but foundational component of cultural reconstruction efforts and postwar Austrian identity\, as well as early conceptions of European integration and postwar discourses of cosmopolitanism. \nOpen to the public. Refreshments will be available. \nMore about Frances Tanzer \nFrances Tanzer is the Rose Professor of Holocaust Studies and Jewish Culture and Associate Professor of History at Clark University in Massachusetts. Her book Vanishing Vienna: Modernism\, Philosemitism\, and Jews in a Postwar City was published with University of Pennsylvania Press in 2024. She has received support for her research from the United States Holocaust Memorial Museum\, the Remarque Institute at New York University\, and other institutions. Her new project is entitled Klezmer Dynasty: An Intimate History of Modern Jewish Culture\, 1880-2019.
URL:https://ecs.princeton.edu/event/vanishing-vienna-modernism-philosemitism-and-jews-in-a-postwar-city/
LOCATION:A17 Julis Romo Rabinowitz
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/vanishing-vienna.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251028T160000
DTEND;TZID=America/New_York:20251028T180000
DTSTAMP:20260625T232021
CREATED:20251022T170259Z
LAST-MODIFIED:20251022T170721Z
UID:10000228-1761667200-1761674400@ecs.princeton.edu
SUMMARY:Catalan Classics of Political Thinking - A Conversation Around Jaume Vicens Vives' "We\, the Catalans"
DESCRIPTION:With: \nPere Almeda\, Director of the Institut Ramon Llull \nJosep M. Muñoz\, Editor and Historian \nPaul Freedman\, Yale University’s Chester D. Tripp Professor of History \nCo-sponsored by Institut Ramon Llull\, Generalitat de Catalunya IJ lnstitut d’Estudis de I’ Autogovern\, and Princeton University’s European Cultural Studies and Fung Global Fellows
URL:https://ecs.princeton.edu/event/catalan-classics-of-political-thinking-a-conversation-around-jaume-vicens-vives-we-the-catalans/
LOCATION:144 Louis A. Simpson Building
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/Catalan-Classics.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251023T190000
DTEND;TZID=America/New_York:20251023T213000
DTSTAMP:20260625T232021
CREATED:20251008T194004Z
LAST-MODIFIED:20251008T195451Z
UID:10000222-1761246000-1761255000@ecs.princeton.edu
SUMMARY:Imagine Otherwise: Fantasy\, Fairytale\, Fiction (Slavic Film Series) – Professor Dowell's Testament
DESCRIPTION:The second Belyaev adaptation of our series\, Professor Dowell’s Testament gives a perestroika-update to a 1925 novel. Professor Dowell\, having created a solution that is capable of reanimating body parts\, asks his assistant Dr. Korn to preserve his head after death. The head remains capable of speech and cognition\, and converses with Korn while an investigation takes place surrounding Dowell’s mysterious death. Professor Dowell’s Testament offers a stark reflection on the scientific experimentation of a Soviet Union coming to its end. \n________________________________________________ \nThe Soviet project was characterized by a utopian drive that stretched far beyond the material means at their disposal. Such a desire\, uninhibited by ontological strictures\, finds some of its clearest manifestations in film\, a medium that Siegfried Kracauer once called “the daydream of society.” Consequently\, this film series explores the way in which the social imaginary developed in Soviet (and Post-Soviet) cinema\, particularly through the lens of fantasy\, fairytale and science fiction. The aim of the series\, however\, is not to expose the incommensurable distance between a fallacious imagination and empirical reality\, but rather to focus on the discourses of the possible – and not the factual – which have made cinema a privileged site for imagining how our world could be radically otherwise. \nThe series has been organized into four sub-series which allow us to explore different facets of this social imaginary. The first three films in the series (Aelita\, Moscow-Cassiopeia\, and First on the Moon) probe the Soviet Union’s cosmic imagination. Long before the Soviet Space Program\, Nikolai Fyodorov’s biocosmism had captured the imagination of many radical thinkers. Aelita\, one of the first full-length films depicting space travel\, gave concrete imagery to these thinkers’ theories with Isaac Rabinovich and Victor Simov’s constructivist set designs of Martian society. The following films in this sub-series show the diachronic development of the sci-fi aesthetic\, through the years following the Space Race (Moscow-Cassiopeia) and into the retrofitting historicization of the post-soviet perspective (First on the Moon). \nThe second sub-series (Amphibian Man and Professor Dowell’s Testament) focuses on the concept of the New Human in the new Soviet society. These films construct a laboratory – inhabited by animal-human hybrids and reanimated human heads – to think past the human and explore the potential consequences of such a posthumanist leap. \nThe third sub-series (New Gulliver\, Alice in Wonderland\, and Tale of Tales) centers on animation as another method of thinking beyond the real. This sub-series also articulates temporal and geo-spatial adaptations as two distinct ways of creating the new – while New Gulliver and Alice in Wonderland both represent the Soviet Union’s attempt to translate Western tales to Soviet contexts\, Tale of Tales is an attempt to treat the Soviet past as material for fairytale narrativization. \nLand of Oz and Mermaid\, the films which constitute the last sub-series\, similarly narrativize the real world through the epistemological framework of the fairytale. Here\, however\, the ideological explanatory functions of the Soviet Union have already faded away\, and one must cling to the fairytale not to tell stories about the past\, but to interpret the chaos of the present post-Soviet space. Events: \nOctober 9th\nAmphibian Man (dir. Vladimir Chebotaryov\,1962\, 82 min) \nOctober 23rd\nProfessor Dowell’s Testament (dir. Leonid Menaker\, 1984\, 91 min) \nOctober 30th\nNew Gulliver (dir. Aleksandr Ptushko\, 1935\, 75 min) \nNovember 6th\nAlice in Wonderland (dir. Efrem Pruzhanskiy\, 1981\, 31 min) & Tale of Tales (dir. Yuri Norstein\, 1979\, 29 min) \nNovember 13th\nLand of Oz (dir. Vasily Sigarev\, 2015\, 100 min) \nDecember 4th\nMermaid (dir. Anna Melikyan\, 2007\, 115 min)
URL:https://ecs.princeton.edu/event/slavic-fall-film-series-imagine-otherwise-fantasy-fairytale-fiction-professor-dowells-testament/
LOCATION:301 Julis Romo Rabinowitz
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/head.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251009T190000
DTEND;TZID=America/New_York:20251009T213000
DTSTAMP:20260625T232021
CREATED:20251008T193306Z
LAST-MODIFIED:20251009T143049Z
UID:10000221-1760036400-1760045400@ecs.princeton.edu
SUMMARY:Imagine Otherwise: Fantasy\, Fairytale\, Fiction (Slavic Film Series) - Amphibian Man
DESCRIPTION:Amphibian Man (dir. Vladimir Chebotaryov\,1962\, 82 min) \nPurportedly among Quentin Tarantino’s favorite Russian films\, Amphibian Man tells the story of Ichthyander\, who spends the majority of his time living underwater thanks to the shark gill implants he has received from his doctor-scientist adoptive father. Although he prefers to spend his time under the sea\, he falls in love with a young woman who he saves from a shark attack\, and enters the society of a nearby town\, where the greedy capitalist Zurita plans to exploit Ichthyander’s abilities to harvest pearls from the ocean floor. \nOne of the most popular films of the Soviet Union\, Amphibian Man was originally attacked for “spoiling the high tastes of the Soviet viewership with the genre of the adventure film.” However\, the film has achieved cultural longevity\, with the recent Guillermo del Toro film Shape of Water notably taking influence. Chebotaryov’s film\, taking influence from Alexander Belyaev’s eponymous novel\, attempts to give image to the new Soviet (post)human. \n_________________________________________ \nThe Soviet project was characterized by a utopian drive that stretched far beyond the material means at their disposal. Such a desire\, uninhibited by ontological strictures\, finds some of its clearest manifestations in film\, a medium that Siegfried Kracauer once called “the daydream of society.” Consequently\, this film series explores the way in which the social imaginary developed in Soviet (and Post-Soviet) cinema\, particularly through the lens of fantasy\, fairytale and science fiction. The aim of the series\, however\, is not to expose the incommensurable distance between a fallacious imagination and empirical reality\, but rather to focus on the discourses of the possible – and not the factual – which have made cinema a privileged site for imagining how our world could be radically otherwise. \nThe series has been organized into four sub-series which allow us to explore different facets of this social imaginary. The first three films in the series (Aelita\, Moscow-Cassiopeia\, and First on the Moon) probe the Soviet Union’s cosmic imagination. Long before the Soviet Space Program\, Nikolai Fyodorov’s biocosmism had captured the imagination of many radical thinkers. Aelita\, one of the first full-length films depicting space travel\, gave concrete imagery to these thinkers’ theories with Isaac Rabinovich and Victor Simov’s constructivist set designs of Martian society. The following films in this sub-series show the diachronic development of the sci-fi aesthetic\, through the years following the Space Race (Moscow-Cassiopeia) and into the retrofitting historicization of the post-soviet perspective (First on the Moon). \nThe second sub-series (Amphibian Man and Professor Dowell’s Testament) focuses on the concept of the New Human in the new Soviet society. These films construct a laboratory – inhabited by animal-human hybrids and reanimated human heads – to think past the human and explore the potential consequences of such a posthumanist leap. \nThe third sub-series (New Gulliver\, Alice in Wonderland\, and Tale of Tales) centers on animation as another method of thinking beyond the real. This sub-series also articulates temporal and geo-spatial adaptations as two distinct ways of creating the new – while New Gulliver and Alice in Wonderland both represent the Soviet Union’s attempt to translate Western tales to Soviet contexts\, Tale of Tales is an attempt to treat the Soviet past as material for fairytale narrativization. \nLand of Oz and Mermaid\, the films which constitute the last sub-series\, similarly narrativize the real world through the epistemological framework of the fairytale. Here\, however\, the ideological explanatory functions of the Soviet Union have already faded away\, and one must cling to the fairytale not to tell stories about the past\, but to interpret the chaos of the present post-Soviet space. Events: \nOctober 9th\nAmphibian Man (dir. Vladimir Chebotaryov\,1962\, 82 min) \nOctober 23rd\nProfessor Dowell’s Testament (dir. Leonid Menaker\, 1984\, 91 min) \nOctober 30th\nNew Gulliver (dir. Aleksandr Ptushko\, 1935\, 75 min) \nNovember 6th\nAlice in Wonderland (dir. Efrem Pruzhanskiy\, 1981\, 31 min) & Tale of Tales (dir. Yuri Norstein\, 1979\, 29 min) \nNovember 13th\nLand of Oz (dir. Vasily Sigarev\, 2015\, 100 min) \nDecember 4th\nMermaid (dir. Anna Melikyan\, 2007\, 115 min)
URL:https://ecs.princeton.edu/event/imagine-otherwise-fantasy-fairytale-fiction-slavic-film-series-mermaid/
LOCATION:301 Julis Romo Rabinowitz
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/ocean_man.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251008T183000
DTEND;TZID=America/New_York:20251008T203000
DTSTAMP:20260625T232021
CREATED:20251002T190302Z
LAST-MODIFIED:20251008T143210Z
UID:10000218-1759948200-1759955400@ecs.princeton.edu
SUMMARY:Free Screening of Claude McKay\, From Harlem to Marseille (2023) + Q&A with filmmaker Matthieu Verdeil
DESCRIPTION:As part of the Princeton French Film Series\, you’re invited to watch Claude McKay\, From Harlem to Marseille (2023) by filmmaker Matthieu Verdeil\, who will be in attendance for a Q&A. \nPractical information: Open to everyone upon registration. In French and English with English subtitles\, the screening will start at 6:30 PM on Wednesday\, October 8th\, 2025\, and will last approximately 70 minutes. Doors to the screening room open at 6:15 PM. \nSynopsis: Matthieu Verdeil directed the first documentary devoted to the work and tumultuous life of Claude McKay\, the Jamaican poet and writer. Punctuated with archival footage and readings set against swing music\, the film is an incredible journey through the 1920s\, from Marseille to Harlem\, and on to Jamaica\, Russia\, and Morocco. It evokes the artistic avant-gardes of the early century that McKay encountered in New York with the Harlem Renaissance and later in Europe\, the social movements he chronicled in England\, and the political figures he met such as Trotsky. One comes away struck by the great freedom with which McKay moved through his era\, becoming a forerunner of both literature and the Black cause.
URL:https://ecs.princeton.edu/event/free-screening-of-claude-mckay-from-harlem-to-marseille-2023-qa-with-filmmaker-matthieu-verdeil/
LOCATION:Betts Auditorium\, Betts Auditorium\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/10/affichefilmMcKay.jpg-002-scaled.jpeg
GEO:40.3478419;-74.6562765
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Betts Auditorium Betts Auditorium Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=Betts Auditorium:geo:-74.6562765,40.3478419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250825T130000
DTEND;TZID=America/New_York:20250825T160000
DTSTAMP:20260625T232021
CREATED:20250815T160640Z
LAST-MODIFIED:20250815T160656Z
UID:10000216-1756126800-1756137600@ecs.princeton.edu
SUMMARY:Academic Expo 2025 - Welcome\, Class of 2029!
DESCRIPTION:The Program in European Cultural Studies (ECS) looks forward to meeting and welcoming the Class of 2029 at the upcoming Academic Expo. From 1:00 pm to 4:00 pm on August 25\, incoming students can meet ECS staff and learn more about the ECS Undergraduate Minor . \nWe are excited to meet you there!
URL:https://ecs.princeton.edu/event/academic-expo-2025-welcome-class-of-2029/
ATTACH;FMTTYPE=image/png:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/08/ECS-Collage-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250519T193000
DTEND;TZID=America/New_York:20250519T210000
DTSTAMP:20260625T232021
CREATED:20250506T184443Z
LAST-MODIFIED:20250506T185058Z
UID:10000215-1747683000-1747688400@ecs.princeton.edu
SUMMARY:E.1027 Film Screening and Conversation with Director Beatrice Minger
DESCRIPTION:Join UCHV’s Film Forum\, Research Film Studio and Forum for the History of Political Thought for a screening of the film “E.1027 Eileen Gray and the House by the Sea.” The screening will be followed by a conversation on “Modernism\, Misogyny\, and Other Matters” with Beatrice Minger\, the film’s director. \nSponsors: Forum for the History of Political Thought\, UCHV; Film Forum\, UCHV; Research Film Studio\, UCHV; School of Architecture; the Program in European Cultural Studies
URL:https://ecs.princeton.edu/event/e-1027-film-screening-and-conversation-with-director-beatrice-minger/
LOCATION:Rocky Theater
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/05/E.1027.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250415T163000
DTEND;TZID=America/New_York:20250415T180000
DTSTAMP:20260625T232021
CREATED:20250311T183229Z
LAST-MODIFIED:20250328T160521Z
UID:10000213-1744734600-1744740000@ecs.princeton.edu
SUMMARY:Carl E. Schorske Memorial Lecture - Gustav Mahler and Arnold Schoenberg as Buddhists of the End-Times
DESCRIPTION:The Program in European Cultural Studies (ECS) is pleased to announce that Peter Sellars will deliver this year’s annual Carl E. Schorske Memorial Lecture on Tuesday\, April 15. \nA reception will follow the lecture.   \nThis event is free and open to the public. Please RSVP HERE. \nIn 1909\, already fatally ill\, Gustav Mahler chose the words of the Chinese Tang Dynasty Buddhist poet\, Wang Wei\, to describe in his “Das Lied von der Erde” (Song of the Earth) what he felt and imagined to be the last disintegrating months of his life and the final collapse of the Western symphonic tradition.  In the same month\, another visionary Viennese composer\, Mahler’s student and friend Arnold Schoenberg\, created “Erwartung” (Expecting)\, his opera of the future for a single female voice that signaled the birth of a new symphonic universe.  Both men were writing music that was artistically revolutionary\, and that also powerfully prophesized pogroms\, holocausts\, and atrocities of the coming century while engaging spiritually inflected strategies of political resistance and transcendence. \nIn honor of Carl Schorske\, one of the preeminent scholars of fin-de-siècle Viennese culture\, this talk will recontextualize the Orientalisms and Expressionisms  of both Mahler and Schoenberg in the light of contemporary global struggles\, contradictions\, setbacks\, and cross-cultural creative initiatives.
URL:https://ecs.princeton.edu/event/carle-e-schorske-memorial-lecture-gustav-mahler-and-arnold-schoenberg-as-buddhists-of-the-end-times/
LOCATION:101 Friend Center
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/03/Peter-Sellars0013-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250408T121500
DTEND;TZID=America/New_York:20250408T133000
DTSTAMP:20260625T232021
CREATED:20250331T153359Z
LAST-MODIFIED:20250331T153359Z
UID:10000214-1744114500-1744119000@ecs.princeton.edu
SUMMARY:Film Festival - 50 Years of Criticism: Masterclass led by David Sterritt
DESCRIPTION:Registration is required. Please register here. \nAs part of the third edition of the Princeton French Film Festival\, you’re invited to an informal conversation with long-time film critic David Sterritt who will be in attendance to talk about his impressive career in film criticism. This event will take place in Rocky’s Private Dining Room from 12:00 to 1:30 PM. Lunch will be provided to attendees not on a meal plan. \nAbout David Sterritt:\nDavid Sterritt is a film critic\, author\, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard\, and his many years as the Film Critic for The Christian Science Monitor\, where\, from 1968 until his retirement in 2005\, he championed avant-garde cinema\, theater\, and music. He has a PhD in Cinema Studies from New York University and was\, until 2015\, chair of the National Society of Film Critics for ten years. He has also served two terms as chair of the New York Film Critics Circle and ten years as co-chair of the University Seminar on Cinema and Interdisciplinary Interpretation at Columbia University\, where he taught for 25 years. \nThis graduate student event is presented by The Program in European Cultural Studies and co-sponsored by the Department of English.
URL:https://ecs.princeton.edu/event/film-festival-50-years-of-criticism-masterclass-led-by-david-sterritt/
LOCATION:Rocky Private Dining Room
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/03/David-Sterritt-event.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250327T120000
DTEND;TZID=America/New_York:20250327T132000
DTSTAMP:20260625T232021
CREATED:20250307T001839Z
LAST-MODIFIED:20250312T131754Z
UID:10000212-1743076800-1743081600@ecs.princeton.edu
SUMMARY:Minor in European Studies Sophomore Open House
DESCRIPTION:Join the Program in European Cultural Studies (ECS) and the Program in Contemporary European Politics and Society (EPS) for lunch on March 27 to learn about the joint minor in European Studies. We’ll share information on upcoming courses\, cultural excursions to New York\, events\, and answer questions about program requirements. \nLunch will be served. \nAbout the minor \nThe minor in European Studies offers a comprehensive exploration of Europe\, blending the Humanities and Social Sciences. Students gain a deep understanding of Europe’s past and present through diverse coursework and engaging extra-curricular activities. You’ll explore European history\, literature\, art\, architecture\, music\, cinema\, theater\, politics\, sociology\, economy\, and philosophy\, covering various time periods and national contexts\, and develop skills in critical thinking\, cultural analysis\, and interdisciplinary research.
URL:https://ecs.princeton.edu/event/minor-in-european-studies-sophomore-open-house/
LOCATION:209 Scheide Caldwell House
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2025/03/EUS-collage-for-website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241120T163000
DTEND;TZID=UTC:20241120T180000
DTSTAMP:20260625T232021
CREATED:20241009T144938Z
LAST-MODIFIED:20241120T173332Z
UID:10000210-1732120200-1732125600@ecs.princeton.edu
SUMMARY:Historical Crisis and Paranoid Emplotment: The Discursive Structure of Racial Panics in Interwar Year Europe
DESCRIPTION:Please note that this event has changed locations. It will now be held in Robertson Hall\, Room 002. \nAnnual ECS Faber Lecture with Donna V. Jones (University of California\, Berkeley) \nPlease RSVP HERE \nThis event is free and open to the public. Reception to follow the lecture. \nCan paranoia be a mode of historical emplotment? The catastrophe of the First World War produced a genre of pessimistic writing. Oswald Spengler’s Decline of the West was among the most widely read. Still\, the era produced dozens similar: Francesco Nitti’s The Decadence of Europe: The Path To Reconstruction (1923)\, Albert Demangeon’s Le Déclin de l’ Europe (1923)\, Wythe Williams’ Dusk of Empire: The Decline of Europe And The Rise Of The United States (1937)\, and Arturo Labriola’s Le Crépuscule de la Civilisation: L’Occident et les peoples de couleur (1936). In all\, the coming historical consciousness of the colonized world figures significantly. Drawing on Hayden White’s notion of historical emplotment\, this presentation will examine the paranoid structure of such writing. \nFunding provided by the Eberhard L. Faber 1915 Memorial Fund in the Humanities Council. \n\nDonna V. Jones is an associate professor of literature at the University of California\, Berkeley’s  Department of English. She is the author of The Racial Discourses of Life Philosophy: Vitalism\, Négritude\, and Modernity\, which won the Modern Language Association’s Aldo and Jeanne Scaglione Prize in Comparative Literature. She works in the fields of critical theory\, vitalism\, and history and literature. Her current project is The Ambiguous Promise of European Decline: Race and Historical Pessimism in the Interwar Years\, an intellectual history of the reactions to the war catastrophe from Europe and the colonized world.
URL:https://ecs.princeton.edu/event/ecs-faber-lecture/
LOCATION:002 Robertson Hall
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2024/10/Yinka-850x500-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241119
DTEND;VALUE=DATE:20241122
DTSTAMP:20260625T232021
CREATED:20241115T172511Z
LAST-MODIFIED:20241115T172740Z
UID:10000211-1731985200-1732157999@ecs.princeton.edu
SUMMARY:The European Review of Books
DESCRIPTION:A Pitching Panel with the Editors of The European Review of Books\nTuesday\, November 19\, 5:00 – 7:00 pm \nBetts Auditorium  \nThe editors of The European Review of Books (Sander Pleij\, Wiegertje Postma\, and George Blaustein) will hear 3-minute pitches from audience members who’d like to propose an article idea for publication in the magazine. We encourage attendees to have a look at the ERB website to get a sense of the kinds of things they publish\, which topics and styles excite the editors\, and which fresh ideas might be a good fit for the ERB. A sign-up sheet will be available at the event\, and we’ll get to as many pitches as we can. \n\nMisadventures in Magazine Making: An Evening with The European Review of Books\nWednesday\, November 20\, 5:00 – 7:00 pm \nChancellor Green Rotunda \nThe editors of The European Review of Books will share tales of felicity and failure from their years as magazine makers. The ERB\, which began as a crowd-funded idea in 2021\, was first published in June 2022 and has continued to grow\, attracting new readers of all backgrounds across the globe. In this playful conversation\, the editors will feature some of the more painful episodes in the ERB’s history and ideas about how not to make a magazine. \n\n\n\nSponsors: Interdisciplinary Doctoral Program in the Humanities\, Department of Comparative Literature\, Department of English\, Department of French and Italian\, Department of German\, Department of Spanish and Portuguese\, European Cultural Studies\, Program in Contemporary European Politics and Society\, Program in Journalism\, Program in Translation and Intercultural Communication.
URL:https://ecs.princeton.edu/event/the-european-review-of-books/
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2024/10/Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240411T120000
DTEND;TZID=America/New_York:20240411T130000
DTSTAMP:20260625T232021
CREATED:20240329T194957Z
LAST-MODIFIED:20240403T170438Z
UID:10000206-1712836800-1712840400@ecs.princeton.edu
SUMMARY:European Cultural Studies & Contemporary European Politics and Society Sophomore Open House
DESCRIPTION:Join the Program in European Cultural Studies (ECS) and the Program in Contemporary European Politics and Society (EPS) for lunch on April 11 to learn about our new joint Minor in European Studies. We’ll share information on upcoming courses\, cultural excursions to New York\, events\, and answer questions about program requirements. \nLunch will be served. \nThe European Cultural Studies certificate is open to students with a concentration in any department\, and does not place restrictions on independent work. Current students and recent graduates have concentrated in the natural sciences\, engineering\, social sciences\, and the humanities. \nWith a particular emphasis on current events related to politics\, economics\, government\, and beyond\, the program in Contemporary European Politics and Society examines how the region’s long history and variety of cultural traditions still shape many European responses to modern predicaments.
URL:https://ecs.princeton.edu/event/european-cultural-studies-contemporary-european-politics-and-society-sophomore-open-house/
LOCATION:209 Scheide Caldwell House
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240404T180000
DTEND;TZID=UTC:20240404T202000
DTSTAMP:20260625T232021
CREATED:20240321T195110Z
LAST-MODIFIED:20240401T184031Z
UID:10000205-1712253600-1712262000@ecs.princeton.edu
SUMMARY:[Cancelled] An evening with Orlando | Carl E. Schorske Memorial Lecture
DESCRIPTION:Due to unforeseen circumstances\, this lecture has been cancelled. We hope to reschedule in 2024-25. For questions\, please contact Anna D’Elia\, program manager. \n\nPresented by the Program in Media and Modernity\, the School of Architecture & the Program in European Cultural Studies \n“Come\, come! I’m sick to death of this particular self. I want another.” Taking Virginia Woolf’s novel Orlando: A Biography as its starting point\, academic virtuoso turned filmmaker Paul B. Preciado has fashioned the documentary\, ORLANDO\, MY POLITICAL BIOGRAPHY\, as a personal essay\, historical analysis\, and social manifesto which premiered and took home four prizes at the 2023 Berlin Film Festival. For almost a century\, Woolf’s eponymous hero/heroine has inspired readers for their gender fluidity across physical and spiritual metamorphoses over a 300-year lifetime. Preciado casts a diverse cross-section of more than twenty trans and non-binary individuals in the role of Orlando as they perform interpretations of scenes from the novel\, weaving into Woolf’s narrative their own stories of identity and transition. Not content to simply update a seminal work\, Preciado interrogates the relevance of Orlando in the continuing struggle against anti-trans ideologies and in the fight for global trans rights. Presentation and Q&A with Paul B. Preciado. \n\nPaul B. Preciado is a writer\, philosopher\, filmmaker and one of the leading thinkers in the study of gender and body politics. He is the founder and director of the Institute for Planetary Transition at Luma Arles\, France. He has been Curator of Public Programs of documenta 14 (Kassel/Athens)\, Curator of the Taiwan Pavilion in Venice in 2019\, and Head of Research of the Museum of Contemporary Art of Barcelona (MACBA). His books\, Counter-sexual Manifesto (Columbia University Press); Testo Junkie (The Feminist Press); Pornotopia (Zone Books); An Apartment in Uranus (Semiotexte and Fitzcarraldo)\, and Can the Monster Speak (Semiotexte and Fitzcarraldo) are a key reference to queer\, trans and non-binary contemporary art and activism. He was born in Spain and lives in Paris. His new book Dysphoria Mundi will be published in English (Graywolf and Fitzcarraldo) in 2024. Preciado’s first film\, Orlando: My political biography\, premiered at Berlinale in 2023 and received four awards including the Teddy Award for Best LGBT Documentary and the Special Price of the Jury for Best Documentary. \nS.E. Eisterer is Assistant Professor for Architectural History and Theory at the School of Architecture at Princeton University. Her research focuses on spatial histories of dissidence\, feminist\, queer\, and trans theory\, as well as the labor of social and ecological movements. S.E. is currently a Senior Fellow at the Alexander von Humboldt Foundation and she is working on two book projects: the interdisciplinary history and translation project Memories of the Resistance: Margarete Schütte-Lihotzky and the Architecture of Collective Dissidence\, 1918–1989 and the edited volume Living Room: Architecture\, Gender\, Theory\, which illuminates methods and theories in writing about feminist and LGBTQIA+ spaces in architecture.
URL:https://ecs.princeton.edu/event/an-evening-with-orlando/
LOCATION:Betts Auditorium\, Betts Auditorium\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://ecs.princeton.edu/wp-content/uploads/sites/6/2024/03/Paul-Preciado-Image-2.jpg
GEO:40.3478419;-74.6562765
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Betts Auditorium Betts Auditorium Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=Betts Auditorium:geo:-74.6562765,40.3478419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231208T153000
DTEND;TZID=UTC:20231208T170000
DTSTAMP:20260625T232021
CREATED:20231201T155359Z
LAST-MODIFIED:20231201T155359Z
UID:10000204-1702049400-1702054800@ecs.princeton.edu
SUMMARY:Smells\, Sounds and Textures of Iberian Modernity: The Harmonious al-Andalus
DESCRIPTION:Join the Department of Spanish & Portuguese on Friday\, December 8\, 3:30-5:00 PM in 103 Chancellor Green for the third invited guest lecture of the “Smells\, Sounds\, and Textures of Iberian Modernity” talk series\, entitled “The Harmonious al-Andalus”.  Invited guest speaker\, Eric Calderwood\, is Associate Professor in Comparative and World Literature at the University of Illinois Urbana-Champaign. Drawing from his recent book entitled On Earth or in Poems: The Many Lives of al-Andalus\, he will speak to the connection between art\, music\, and the legacy of Al-Andalus in Moroccan contemporary culture. There are a few extra copies of his book which the organizers will be offering to the first graduate students to attend the talk. \n\n\nSponsors: Spanish and Portuguese\, the Center for Culture\, Society\, and Religion\, the Humanities Council\, the Interdisciplinary Doctoral Program in the Humanities\, Anthropology\, Art & Archaeology\, Comparative Literature\, Music\, Near Eastern Studies\, Religion\, and the Program in European Cultural Studies
URL:https://ecs.princeton.edu/event/smells-sounds-and-textures-of-iberian-modernity-the-harmonious-al-andalus/
LOCATION:103 Chancellor Green\, Princeton University\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=application/pdf:https://ecs.princeton.edu/wp-content/uploads/sites/6/2023/12/The-Harmonious-al-Andalus-imge-for-website.pdf
GEO:40.3467174;-74.6568772
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=103 Chancellor Green Princeton University Princeton NJ 08544 United States;X-APPLE-RADIUS=500;X-TITLE=Princeton University:geo:-74.6568772,40.3467174
END:VEVENT
END:VCALENDAR