Open to the Public — Audiences — European Cultural Studies

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Past Open to the Public Events

April 21, 2021 · 4:30 pm · virtual

Visual Media Workshop – ‘What Is Seen and What Can Be Said About It’: Visual Turns in the Anarchive

Lia Brozgal, UCLA

April 20, 2021 · 4:30 pm · virtual

Carl E. Schorske Memorial Lecture – Auerbach, Homer, Sebald: Hypotactic Narrative and the End of the World

Daniel Mendelsohn, Bard College

March 2, 2021 · 4:30 pm—6:00 pm · virtual

The Porcelain Industry Confronts the Vulgar Question of Money: Towards a New Prehistory of Industrialization in the German States, 1780-1840

Suzanne Marchand, Louisiana State University

December 9, 2020 · 12:00 pm—1:20 pm · virtual

An American Historikerstreit: Holocaust Representation and the Specter of Deconstruction

Jonathan Catlin, Department of History

November 10, 2020 · 12:00 pm—1:20 pm · virtual

Singing like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms

Kira Thurman, University of Michigan

November 2, 2020 · 4:30 pm—6:00 pm · virtual

Talking about Race in Nineteenth-Century France: Ethics and the Impact of Distance

Jennifer Yee, University of Oxford

October 30, 2020 · 12:00 pm · virtual

L’Avant-Scène Presents: A Conversation with Clément Hervieu-Léger

Clément-Hervieu Léger, actor and director

October 29, 2020 · 4:30 pm—6:00 pm · virtual

State of Crucifixion: Tourism, Holy Week Festivals, and the Sacred Politics of the Cold War

Eugenia Afinoguénova, Marquette University

October 28, 2020 · 12:00 pm · virtual

Time’s Monster: How History Makes History

Priya Satia, Stanford University

October 28, 2020 · 12:00 pm · virtual

Making Sense of the Shaking: The 1861-62 Lake Baikal Earthquakes and the Meanings of Nature in Imperial Russia

Nicholas B. Breyfogle, The Ohio State University

October 14, 2019 · 4:30 pm · 010 East Pyne

The Waltz, the Cotillon, and the Hazards of Choice

Sophia Rosenfeld, University of Pennsylvania

September 24, 2018 · 4:30 pm—6:00 pm · Woolworth 102

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Past Open to the Public Events

Visual Media Workshop – ‘What Is Seen and What Can Be Said About It’: Visual Turns in the Anarchive

Lia Brozgal, UCLA

Carl E. Schorske Memorial Lecture – Auerbach, Homer, Sebald: Hypotactic Narrative and the End of the World

Daniel Mendelsohn, Bard College

The Porcelain Industry Confronts the Vulgar Question of Money: Towards a New Prehistory of Industrialization in the German States, 1780-1840

Suzanne Marchand, Louisiana State University

An American Historikerstreit: Holocaust Representation and the Specter of Deconstruction

Jonathan Catlin, Department of History

Singing like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms

Kira Thurman, University of Michigan

Talking about Race in Nineteenth-Century France: Ethics and the Impact of Distance

Jennifer Yee, University of Oxford

L’Avant-Scène Presents: A Conversation with Clément Hervieu-Léger

Clément-Hervieu Léger, actor and director

State of Crucifixion: Tourism, Holy Week Festivals, and the Sacred Politics of the Cold War

Eugenia Afinoguénova, Marquette University

Time’s Monster: How History Makes History

Priya Satia, Stanford University

Making Sense of the Shaking: The 1861-62 Lake Baikal Earthquakes and the Meanings of Nature in Imperial Russia

Nicholas B. Breyfogle, The Ohio State University

The Waltz, the Cotillon, and the Hazards of Choice

Sophia Rosenfeld, University of Pennsylvania

Now Is Simply the Mess. Formalism, Modernism, Again

Seth Brodsky, University of Chicago

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News

Past Open to the Public Events

Lia Brozgal, UCLA

Daniel Mendelsohn, Bard College

Suzanne Marchand, Louisiana State University

Jonathan Catlin, Department of History

Kira Thurman, University of Michigan

Jennifer Yee, University of Oxford

Clément-Hervieu Léger, actor and director

Eugenia Afinoguénova, Marquette University

Priya Satia, Stanford University

Nicholas B. Breyfogle, The Ohio State University

Sophia Rosenfeld, University of Pennsylvania

Seth Brodsky, University of Chicago