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Early/Modern Color: Masquerades and Make Overs

203 Scheide Caldwell House

A workshop organized by the ECS Graduate Affiliate Working Group on Materiality and Colors in European Art. With a few prisms and some brilliantly crafted experiments, Sir Isaac Newton established in 1704 that color was the effect of refracted light. This emphasis on color-as-light has endured throughout Modernity and encouraged an ever-more immaterial approach to […]

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