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Too Many Times: On Klee’s Angelus Novus

Room N107, School of Architecture Room N107, School of Architecture, Princeton

The artist R. H. Quaytman recently discovered that Paul Klee mounted his watercolored oil-transfer drawing Angelus Novus (1920)—famous for its prominent place in the writings of its first owner, Walter Benjamin—on top of an engraved portrait of Martin Luther from 1838. In this lecture, Bourneuf ventures a new interpretation of the work in light of Quaytman’s discovery, […]

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